Saturday, June 6, 2015

The Confession (1970)

Wow! After a long time saw something which stirred me deeply. Yves Montand is one of my favourite actors and he is just brilliant here. The concluding montage was specially very effective - almost spine chilling.

A relevant excerpt from Tony Judt's Postwar:

Why, after all, did the Soviet dictator need trials at all? Moscow was in a position to eliminate anyone it wished, anywhere in the Soviet bloc, through ‘administrative procedures’, Trials might seem counter-productive; the obviously false testimonies and confessions, the unembarrassed targeting of selected individuals and social categories, were hardly calculated to convince foreign observers of the bona fides of Soviet judicial procedures.

But the show trials in the Communist bloc were not about justice. They were, rather, a form of public pedagogy-by-example; a venerable Communist institution (the first such trials in the USSR dated to 1928) whose purpose was to illustrate and exemplify the structures of authority in the Soviet system. They told the public who was right, who wrong; they placed blame for policy failures; they assigned credit for loyalty and subservience; they even wrote a script, an approved vocabulary for use in discussion of public affairs. Following his arrest Rudolf Slánský was only ever referred to as ‘the spy Slánský’, this ritual naming serving as a form of political exorcism.

Show trials—or tribunals, in the language of Vyshinsky’s 1936 Soviet Manual of Criminal Investigation—were explicitly undertaken for the ‘mobilisation of proletarian public opinion’. As the Czechoslovak ‘Court Organisation Act’ of January 1953 baldly summed it up, the function of the courts was ‘to educate the citizens in devotionand loyalty toward the Czechoslovak Republic, etc.’ Robert Vogeler, a defendant at a Budapest trial in 1948, noted at the time: ‘To judge from the way our scripts were written, it was more important to establish our allegorical identities than it was to establish our “guilt”. Each of us, in his testimony, was obliged to “unmask” himself for the benefit of the Cominform Press and the radio.’

The accused were reduced from presumptive political critics or opponents to a gaggle of unprincipled conspirators, their purposes venal and traitorous. The clumsiness of Soviet imperial style sometimes masks this objective—what is one to make of a rhetoric designed to mobilize public opinion in metropolitan Budapest by reiterating the errors of those who opposed ‘the struggle against the kulaks’? But the ‘public’ were not being asked to believe what they heard; they were merely being trained to repeat it.

One use of the public trials was to identify scapegoats. If Communist economic policy was not producing its pre-announced successes, if Soviet foreign policy was blocked or forced to compromise, someone must take the blame. How else were the mis-steps of the infallible Leader to be explained? There were many candidates: Slánský was widely disliked inside and outside the Czechoslovak Communist Party. Rajk had been a harsh Stalinist interior minister. And precisely because they had carried out unpopular policies now seen to have failed, any and all Communist leaders and ministers were potential victims in waiting. Just as defeated political critics or opponents to a gaggle of unprincipled conspirators, their purposes venal and traitorous. The clumsiness of Soviet imperial style sometimes masks this objective—what is one to make of a rhetoric designed to mobilize public opinion in metropolitan Budapest by reiterating the errors of those who opposed ‘the struggle against the kulaks’? But the ‘public’ were not being asked to believe what they heard; they were merely being trained to repeat it.

One use of the public trials was to identify scapegoats. If Communist economic policy was not producing its pre-announced successes, if Soviet foreign policy was blocked or forced to compromise, someone must take the blame. How else were the mis-steps of the infallible Leader to be explained? There were many candidates: Slánský was widely disliked inside and outside the Czechoslovak Communist Party. Rajk had been a harsh Stalinist interior minister. And precisely because they had carried out unpopular policies now seen to have failed, any and all Communist leaders and ministers were potential victims in waiting. Just as defeated generals in the French Revolutionary wars were frequently charged with treason, so Communist ministers confessed to sabotage when the policies they had implemented failed—often literally—to deliver the goods.
The advantage of the confession, in addition to its symbolic use as an exercise in guilt-transferal, was that it confirmed Communist doctrine. There were no disagreements in Stalin’s universe, only heresies; no critics, only enemies; no errors, only crimes. The trials served both to illustrate Stalin’s virtues and identify his enemies’ crimes. They also illuminate the extent of Stalin’s paranoia and the culture of suspicion that surrounded him. One part of this was a deep-rooted anxiety about Russian, and more generally ‘Eastern’ inferiority, a fear of Western influence and the seduction of Western affluence. In a 1950 trial in Sofia of ‘The American Spies in Bulgaria’, the accused were charged with propagating the view ‘that the chosen races live only in the West, in spite of the fact that geographically they have all started from the East’. The indictment went on to describe the accused as exhibiting ‘a feeling for servile under-valuation’ that Western spies had successfully exploited. 

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